Illusionists, such as Joseph Rinn have staged 'fake' séances in which the sitters have claimed to have observed genuine supernatural phenomena. Albert Moll studied the psychology of séance sitters. According to (Wolffram, 2012) "[Moll] argued that the hypnotic atmosphere of the darkened séance room and the suggestive effect of the experimenters' social and scientific prestige could be used to explain why seemingly rational people vouchsafed occult phenomena." The psychologists Leonard Zusne and Warren Jones in their book Anomalistic Psychology: A Study of Magical Thinking (1989) wrote that spirits controls are the "products of the medium's own psychological dynamics."
Not all spiritual mediums are the carnival barker variety — many people are happy to enjoy the “gift” of mediumship without exploiting it for money. These people, who seldom give “readings” and prefer instead to use their gift for personal reasons, come in every walk of life, work every profession, and may be working right next to you in your office.
The fraudulent medium Ronald Edwin confessed he had duped his séance sitters and revealed the fraudulent methods he had used in his book Clock Without Hands (1955). The psychical researcher Tony Cornell investigated the mediumship of Alec Harris in 1955. During the séance "spirit" materializations emerged from a cabinet and walked around the room. Cornell wrote that a stomach rumble, nicotine smelling breath and a pulse gave it away that all the spirit figures were in fact Harris and that he had dressed up as each one behind the cabinet.
The Danish medium Einer Nielsen was investigated by a committee from the Kristiania University in Norway, 1922 and discovered in a séance that his ectoplasm was fake. In 1923 the Polish medium Jan Guzyk was exposed as a fraud in a series of séances in Sorbonne in Paris. Guzyk would use his elbows and legs to move objects around the room and touch the sitters. According to Max Dessoir the trick of Guzyk was to use his "foot for psychic touches and sounds".
The oldest surviving tarot cards are the 15 or so Visconti-Sforza tarot decks painted in the mid-15th century for the rulers of the Duchy of Milan. A lost tarot-like pack was commissioned by Duke Filippo Maria Visconti and described by Martiano da Tortona probably between 1418 and 1425, since the painter he mentions, Michelino da Besozzo, returned to Milan in 1418, while Martiano himself died in 1425. He described a 60-card deck with 16 cards having images of the Greek gods and suits depicting four kinds of birds. The 16 cards were regarded as "trumps" since in 1449 Jacopo Antonio Marcello recalled that the now deceased duke had invented a novum quoddam et exquisitum triumphorum genus, or "a new and exquisite kind of triumphs". Other early decks that also showcased classical motifs include the Sola-Busca and Boiardo-Viti decks of the 1490s.
Brigit Esselmont is the author of the #1 Amazon best-selling books the Ultimate Guide to Tarot Card Meanings and the Biddy Tarot Planner, and the brand new book and Tarot deck, Everyday Tarot. A professional Tarot reader for more than 20 years, Brigit founded Biddy Tarot in 1999, where each year more than 4.5 million people (like you!) are inspired to live more mindful and enlightened lives, using the Tarot as a guide.
In 1970 two psychical researchers investigated the direct-voice medium Leslie Flint and found that all the "spirit" voices in his séance sounded exactly like himself and attributed his mediumship to "second-rate ventriloquism". The medium Arthur Ford died leaving specific instructions that all of his files should be burned. In 1971 after his death, psychical researchers discovered his files but instead of burning them they were examined and discovered to be filled with obituaries, newspaper articles and other information, which enabled Ford to research his séance sitters backgrounds.