A widely known channeler of this variety is J. Z. Knight, who claims to channel the spirit of Ramtha, a 30 thousand-year-old man. Others purport to channel spirits from "future dimensions", ascended masters, or, in the case of the trance mediums of the Brahma Kumaris, God. Other notable channels are Jane Roberts for Seth, Esther Hicks for Abraham, and Carla L. Rueckert for Ra.
^ John Casey. (2009). After Lives: A Guide to Heaven, Hell and Purgatory. Oxford. p. 373. ISBN 978-0-19-997503-7 "The poet attended one of Home's seances where a face was materialized, which, Home's spirit guide announced, was that of Browning's dead son. Browning seized the supposed materialized head, and it turned out to be the bare foot of Home. The deception was not helped by the fact that Browning never had lost a son in infancy."
^ Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 29. ISBN 978-0-87975-300-9 "Florence Cook was caught cheating not only before her séances with Crookes but also afterward. Furthermore, she learned her trade from the mediums Frank Herne and Charles Williams, who were notorious for their cheating." Also see M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p. 64. ISBN 978-1-57392-161-9 "The most famous of materialization mediums, Florence Cook – though she managed to convince a scientist, Sir William Crookes, that she was genuine – was repeatedly exposed in fraud. Florence had been trained in the arts of the séance by Frank Herne, a well-known physical medium whose materializations were grabbed on more than one occasion and found to be the medium himself."
Michael Shermer criticized mediums in Scientific American, saying, "mediums are unethical and dangerous: they prey on the emotions of the grieving. As grief counselors know, death is best faced head-on as a part of life." Shermer wrote that the human urge to seek connections between events that may form patterns meaningful for survival is a function of natural evolution, and called the alleged ability of mediums to talk to the dead "a well-known illusion of a meaningful pattern."
In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The exposé was published in the 10 July 1960 issue of the Psychic Observer.:96–97
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In 1992, Richard Wiseman analyzed the Feilding report of Eusapia Palladino and argued that she employed a secret accomplice that could enter the room by a fake door panel positioned near the séance cabinet. Wiseman discovered this trick was already mentioned in a book from 1851, he also visited a carpenter and skilled magician who constructed a door within an hour with a false panel. The accomplice was suspected to be her second husband, who insisted on bringing Palladino to the hotel where the séances took place. Massimo Polidoro and Gian Marco Rinaldi also analyzed the Feilding report but came to the conclusion no secret accomplice was needed as Palladino during the 1908 Naples séances could have produced the phenomena by using her foot.
In 1876, William Eglinton was exposed as a fraud when the psychical researcher Thomas Colley seized a "spirit" materialization in his séance and cut off a portion of its cloak. It was discovered that the cut piece matched a cloth found in Eglinton's suitcase. Colley also pulled the beard off the materialization and it was revealed to be a fake, the same as another one found in the suitcase of Eglinton. In 1880 in a séance a spirit named "Yohlande" materialized, a sitter grabbed it and was revealed to be the medium Mme. d'Esperance herself.
In 1917, Edward Clodd analyzed the mediumship of the trance medium Gladys Osborne Leonard and came to the conclusion that Leonard had known her séance sitters before she had held the séances, and could have easily obtained such information by natural means. The British psychiatrist Charles Arthur Mercier wrote in his book Spiritualism and Sir Oliver Lodge (1917) that Oliver Lodge had been duped into believing mediumship by trickery and his spiritualist views were based on assumptions and not scientific evidence. https://drive.google.com/file/d/1Zh3T7RuksHd5otikwphwAW6hgGTlHjfr/view?usp=sharing
Psychologists and researchers who studied Pearl Curran's automatic writings in the 1930s came to the conclusion Patience Worth was a fictitious creation of Curran. In 1931 George Valiantine was exposed as a fraud in the séance room as it was discovered that he produced fraudulent "spirit" fingerprints in wax. The "spirit" thumbprint that Valiantine claimed belonged to Arthur Conan Doyle was revealed to be the print of his big toe on his right foot. It was also revealed that Valiantine made some of the prints with his elbow.
Psychic mediums have the ability to sense and communicate with beings and energies in other dimensions, including the spirits of people who have died. They are often called upon to help people who have unresolved questions for loved ones who have passed away. Psychic mediums may use meditative channeling, palmistry, psychometric, or readings from tarot cards or crystal balls to facilitate communication with those in other dimensions. This article includes information on what it means to be a psychic medium, how to improve your psychic abilities, and how to use your abilities in the service of others, whether they be people or spirits.
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The suffix Voyant in Clairvoyant does not necessarily imply seeing pictures, graphics or pictorial presentation as such. ‘Seeing’ may also mean ‘understanding’ like in ‘Oh, I see!’ In this context the ability of the clairvoyant medium may also include clairsentience, which means that the clairvoyant medium clearly senses the things and the situations. He experiences a kind of gut feeling about what is going to happen or how a situation can be best tackled to provide good results.
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^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot."
Colin Fry was exposed in 1992 when during a séance the lights were unexpectedly turned on and he was seen holding a spirit trumpet in the air, which the audience had been led to believe was being levitated by spiritual energy. In 1997, Massimo Polidoro and Luigi Garlaschelli produced wax-moulds directly from one's hand which were exactly the same copies as Gustav Geley obtained from Franek Kluski, which are kept at the Institute Metapsychique International.