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The séance trick of the Eddy Brothers was revealed by the magician Chung Ling Soo in 1898. The brothers utilized a fake hand made of lead, and with their hands free from control would play musical instruments and move objects in the séance room. The physiologist Ivor Lloyd Tuckett examined a case of spirit photography that W. T. Stead had claimed was genuine. Stead visited a photographer who had produced a photograph of him with deceased soldier known as "Piet Botha". Stead claimed that the photographer could not have come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.
"Trance mediumship" is often seen as a form of mental mediumship. Most trance mediums remain conscious during a communication period, wherein a spirit uses the medium's mind to communicate. The spirit or spirits using the medium's mind influences the mind with the thoughts being conveyed. The medium allows the ego to step aside for the message to be delivered. At the same time, one has awareness of the thoughts coming through and may even influence the message with one's own bias. Such a trance is not to be confused with sleepwalking, as the patterns are entirely different. Castillo (1995) states, https://drive.google.com/file/d/1yryLwFtAqcxcVZuiBqJRgBa20kp1x7bJ/view?usp=sharing
A series of mediumistic séances known as the Scole Experiment took place between 1993 and 1998 in the presence of the researchers David Fontana, Arthur Ellison and Montague Keen. This has produced photographs, audio recordings and physical objects which appeared in the dark séance room (known as apports). A criticism of the experiment was that it was flawed because it did not rule out the possibility of fraud. The skeptical investigator Brian Dunning wrote the Scole experiments fail in many ways. The séances were held in the basement of two of the mediums, only total darkness was allowed with no night vision apparatus as it might "frighten the spirits away". The box containing the film was not examined and could easily have been accessible to fraud. And finally, even though many years have passed, there has been no follow-up, no further research by any credible agency or published accounts.
In 1917, Edward Clodd analyzed the mediumship of the trance medium Gladys Osborne Leonard and came to the conclusion that Leonard had known her séance sitters before she had held the séances, and could have easily obtained such information by natural means. The British psychiatrist Charles Arthur Mercier wrote in his book Spiritualism and Sir Oliver Lodge (1917) that Oliver Lodge had been duped into believing mediumship by trickery and his spiritualist views were based on assumptions and not scientific evidence.
In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The exposé was published in the 10 July 1960 issue of the Psychic Observer.:96–97 https://drive.google.com/file/d/1mcvAENesidVlgXF7pGVBbJUoXBg52Wy6/view?usp=sharing
The British medium Francis Ward Monck was investigated by psychical researchers and discovered to be a fraud. On November 3, 1876 during the séance a sitter demanded that Monck be searched. Monck ran from the room, locked himself in another room and escaped out of a window. A pair of stuffed gloves was found in his room, as well as cheesecloth, reaching rods and other fraudulent devices in his luggage. After a trial Monck was convicted for his fraudulent mediumship and was sentenced to three months in prison. https://drive.google.com/file/d/1daHqn0IeY5p0VYJH2JxmL05muXLeMGc8/view?usp=sharing
The magician Julien Proskauer revealed that the levitating trumpet of Jack Webber was a trick. Close examination of photographs reveal Webber to be holding a telescopic reaching rod attached to the trumpet, and sitters in his séances only believed it to have levitated because the room was so dark they could not see the rod. Webber would cover the rod with crepe paper to disguise its real construction.
The British journalist Ruth Brandon published the book The Spiritualists (1983) which exposed the fraud of the Victorian mediums. The book received positive reviews and has been influential to skeptics of spiritualism. The British apport medium Paul McElhoney was exposed as a fraud during a séance in Osset, Yorkshire in 1983. The tape recorder that McElhoney took to his séances was investigated and a black tape was discovered bound around the battery compartment and inside carnation flowers were found as well as a key-ring torch and other objects. https://drive.google.com/file/d/1zadDXcCat58-hiq6g8PyUmWdKV01WWjl/view?usp=sharing
^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot." https://drive.google.com/file/d/1PpwyDe2ua5cGzC26TAXnYrB9K-K6WVEp/view?usp=sharing
The medium Henry Slade was caught in fraud many times throughout his career. In a séance in 1876 in London Ray Lankester and Bryan Donkin snatched his slate before the "spirit" message was supposed to be written, and found the writing already there. Slade also played an accordion with one hand under the table and claimed spirits would play it. The magician Chung Ling Soo revealed how Slade had performed the trick.