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Direct voice communication is the claim that spirits speak independently of the medium, who facilitates the phenomenon rather than produces it. The role of the medium is to make the connection between the physical and spirit worlds. Trumpets are often utilised to amplify the signal, and directed voice mediums are sometimes known as "trumpet mediums". This form of mediumship also permits the medium to participate in the discourse during séances, since the medium's voice is not required by the spirit to communicate. Leslie Flint was one of the best known exponents of this form of mediumship.
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^ Joseph Jastrow. (1935). Patience Worth: An Alter Ego in Wish and Wisdom: Episodes in the Vagaries of Belief. D. Appleton-Century Company. pp. 78–92. Lyon Sprague de Camp. (1966). Spirits, Stars, and Spells. New York: Canaveral. p. 247. Robert Goldenson. (1973). Mysteries of the Mind: The Drama of Human Behavior. Doubleday. pp. 44–53. Milbourne Christopher. (1970). ESP, Seers and Psychics. New York: Crowell. pp. 128–29
In 1992, Richard Wiseman analyzed the Feilding report of Eusapia Palladino and argued that she employed a secret accomplice that could enter the room by a fake door panel positioned near the séance cabinet. Wiseman discovered this trick was already mentioned in a book from 1851, he also visited a carpenter and skilled magician who constructed a door within an hour with a false panel. The accomplice was suspected to be her second husband, who insisted on bringing Palladino to the hotel where the séances took place. Massimo Polidoro and Gian Marco Rinaldi also analyzed the Feilding report but came to the conclusion no secret accomplice was needed as Palladino during the 1908 Naples séances could have produced the phenomena by using her foot.
The medium Henry Slade was caught in fraud many times throughout his career. In a séance in 1876 in London Ray Lankester and Bryan Donkin snatched his slate before the "spirit" message was supposed to be written, and found the writing already there. Slade also played an accordion with one hand under the table and claimed spirits would play it. The magician Chung Ling Soo revealed how Slade had performed the trick.
"Trance mediumship" is often seen as a form of mental mediumship. Most trance mediums remain conscious during a communication period, wherein a spirit uses the medium's mind to communicate. The spirit or spirits using the medium's mind influences the mind with the thoughts being conveyed. The medium allows the ego to step aside for the message to be delivered. At the same time, one has awareness of the thoughts coming through and may even influence the message with one's own bias. Such a trance is not to be confused with sleepwalking, as the patterns are entirely different. Castillo (1995) states, https://drive.google.com/file/d/1yryLwFtAqcxcVZuiBqJRgBa20kp1x7bJ/view?usp=sharing
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.