The biblical basis of this practice is St. Paul's advice to his disciple Timothy whom he appointed bishop. St. Paul told him to "Attend to reading." The word "attend" an allusion to the many other concerns that a bishop has to attend to. By this, according to St. Alphonsus Liguori, Doctor of the Church on Moral theology, the Apostle Paul "wished him to apply to the reading of holy books, not in a passing way and for a short time, but regularly and for a considerable time."
The illustrations of French-suited tarot trumps depart considerably from the older Italian-suited design, abandoning the Renaissance allegorical motifs. With the exception of novelty decks, French-suited tarot cards are almost exclusively used for card games. The first generation of French-suited tarots depicted scenes of animals on the trumps and were thus called "Tiertarock" ('Tier' being German for 'animal') appeared around 1740. Around 1800, a greater variety of decks were produced, mostly with genre art or veduta. Current French-suited tarot decks come in these patterns:
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.
The "three-card spread" is one of the most simple and effective tarot spreads. You can adjust the categories to accommodate any situation (past, present, future; yourself, the other person, the relationship; opportunities, challenges, outcomes; mind, body, spirit). The cards and their corresponding positions will effortlessly expose bonds and dynamics. But before reading the straightforward explanation of each card, take a moment to create your own story based on observation. How do the cards you drew make you feel? What are the colors and symbols? If there are characters, are they facing towards or away from each other? Do the illustrations seem cohesive or disjointed?
^ LeCron, Leslie; Bordeaux, Jean (1970). Hypnotism Today. Wilshire Book Co. p. 278. ISBN 0-87980-081-X. When in a trance ... the medium seems to come under the control of another personality, purportedly the spirit of a departed soul, and a genuine medium undoubtedly believes the 'control' to be a spirit entity ... In the trance, the medium often enters a cataleptic state marked by extreme rigidity. The control then takes over, the voice may change completely ... and the supposed spirit answers the questions of the sitter, telling of things 'on the other plane' and gives messages from those who have 'passed over.'
In my eBook, The Medium Toolkit, we go over the most common ways all the different types of mediums sense, see and hear those in Spirit, if you're interested in learning more. Also, this whole blog is dedicated to new mediumship and processing all the feelings surrounding new and old gifts, alike. So it's Ok. You're here, among peers - take some time to look around.
When I am writing and channeling simultaneously, I am very much ‘in the zone’, but far from unconscious. I would describe it more as being in an altered state of consciousness, rather than a ‘trance’. To get into this state I simply put my receptive right brain in the drivers seat and my rational left brain in the passenger seat. There are times when I give my rational mind permission to ask a question (which is usually answered) but, for the most part it is a passive observer of the process. I find it is important not to judge any of the material I’m channeling. I read it with my left brain filter after the channeling has finished.
Additional Tarot Definitions are still available. For those of you who have studied tarot yourself or are simply after further detailed analysis of each card. The wonderful soul Avia Venefica from Tarot Teachings has graciously donated her interpretations. All brought to life by the exquisite tarot cards provided by Aquatic Tarot and Ciro Marchetti
In 1970 two psychical researchers investigated the direct-voice medium Leslie Flint and found that all the "spirit" voices in his séance sounded exactly like himself and attributed his mediumship to "second-rate ventriloquism". The medium Arthur Ford died leaving specific instructions that all of his files should be burned. In 1971 after his death, psychical researchers discovered his files but instead of burning them they were examined and discovered to be filled with obituaries, newspaper articles and other information, which enabled Ford to research his séance sitters backgrounds.
For the less experienced mediums, exactly the opposite was observed--increased levels of activity in the same frontal areas during psychography compared to normal writing, and the difference was significant compared to the experienced mediums. What this probably means is that the less experienced mediums were trying really hard. The force is not yet strong with them.
Michael Shermer criticized mediums in Scientific American, saying, "mediums are unethical and dangerous: they prey on the emotions of the grieving. As grief counselors know, death is best faced head-on as a part of life." Shermer wrote that the human urge to seek connections between events that may form patterns meaningful for survival is a function of natural evolution, and called the alleged ability of mediums to talk to the dead "a well-known illusion of a meaningful pattern."
"Mental mediumship" is communication of spirits with a medium by telepathy. The medium mentally "hears" (clairaudience), "sees" (clairvoyance), and/or feels (clairsentience) messages from spirits. Directly or with the help of a spirit guide, the medium passes the information on to the message's recipient(s). When a medium is doing a "reading" for a particular person, that person is known as the "sitter".
These trump, or triumph, cards were often painted for wealthy families. Members of the nobility would commission artists to create for them their own set of cards, featuring family members and friends as the triumph cards. A number of sets, some of which still exist today, were created for the Visconti family of Milan, which counted several dukes and barons among its numbers.
In the 1930s Harry Price (director of the National Laboratory of Psychical Research) had investigated the medium Helen Duncan and had her perform a number of test séances. She was suspected of swallowing cheesecloth which was then regurgitated as "ectoplasm". Price had proven through analysis of a sample of ectoplasm produced by Duncan, that it was made of cheesecloth. Helen Duncan would also use a doll made of a painted papier-mâché mask draped in an old sheet which she pretended to her sitters was a spirit. The photographs taken by Thomas Glendenning Hamilton in the 1930s of ectoplasm reveal the substance to be made of tissue paper and magazine cut-outs of people. The famous photograph taken by Hamilton of the medium Mary Ann Marshall depicts tissue paper with a cut out of Arthur Conan Doyle's head from a newspaper. Skeptics have suspected that Hamilton may have been behind the hoax.
A love & relationship psychic reading can help restore your peace of mind and understanding regarding your relationship. The information and relationship advice that your psychic guide provides you with during your conversation will help you see your emotional attachment from an entirely different perspective. Seeing things from this new point of view can provide you with the reassurance and tranquility of knowing that you are doing what is best for you and for making your relationship continue to work.
The psychical researchers Eric Dingwall and Harry Price re-published an anonymous work written by a former medium entitled Revelations of a Spirit Medium (1922) which exposed the tricks of mediumship and the fraudulent methods of producing "spirit hands". Originally all the copies of the book were bought up by spiritualists and deliberately destroyed. In 1923, the magician Carlos María de Heredia revealed how fake spirit hands could be made by using a rubber glove, paraffin and a jar of cold water.