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In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud. The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks. The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann.
In the later half of the 20th century, Western mediumship developed in two different ways. One type involved clairaudience or sensitives who hear spirit, and then relay what they hear to their clients. The other incarnation of non-physical mediumship is a form of channeling in which the channeler goes into a trance, or "leaves their body", allowing a spirit entity to borrow their body, who then speaks through them. When in a trance the medium appears to come under the control of the spirit of a departed soul, sometimes entering into a cataleptic state, although modern channelers may not. Some channelers open the eyes when channeling, and remain able to walk and behave normally. The rhythm and the intonation of the voice may also change completely.
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In the typical deep trance, the medium may not have clear recall of all the messages conveyed while in an altered state; such people generally work with an assistant. That person selectively wrote down or otherwise recorded the medium's words. Rarely did the assistant record the responding words of the sitter and other attendants. An example of this kind of relationship can be found in the early 20th century collaboration between the trance medium Mrs. Cecil M. Cook of the William T. Stead Memorial Center in Chicago (a religious body incorporated under the statutes of the State of Illinois) and the journalist Lloyd Kenyon Jones. The latter was a non-medium Spiritualist who transcribed Cook's messages in shorthand. He edited them for publication in book and pamphlet form.
In 1954, the psychical researcher Rudolf Lambert published a report revealing details about a case of fraud that was covered up by many early members of the Institute Metapsychique International (IMI). Lambert who had studied Gustav Geley's files on the medium Eva Carrière discovered photographs depicting fraudulent ectoplasm taken by her companion Juliette Bisson. Various "materializations" were artificially attached to Eva's hair by wires. The discovery was never published by Geley. Eugéne Osty (the director of the institute) and members Jean Meyer, Albert von Schrenck-Notzing and Charles Richet all knew about the fraudulent photographs but were firm believers in mediumship phenomena so demanded the scandal be kept secret.
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In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
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A series of mediumistic séances known as the Scole Experiment took place between 1993 and 1998 in the presence of the researchers David Fontana, Arthur Ellison and Montague Keen. This has produced photographs, audio recordings and physical objects which appeared in the dark séance room (known as apports). A criticism of the experiment was that it was flawed because it did not rule out the possibility of fraud. The skeptical investigator Brian Dunning wrote the Scole experiments fail in many ways. The séances were held in the basement of two of the mediums, only total darkness was allowed with no night vision apparatus as it might "frighten the spirits away". The box containing the film was not examined and could easily have been accessible to fraud. And finally, even though many years have passed, there has been no follow-up, no further research by any credible agency or published accounts.
In the late 19th century, the fraudulent methods of spirit photographers such as David Duguid and Edward Wyllie were revealed by psychical researchers. Hereward Carrington documented various methods (with diagrams) how the medium would manipulate the plates before, during, and after the séance to produce spirit forms. The ectoplasm materializations of the French medium Eva Carrière were exposed as fraudulent. The fake ectoplasm of Carrière was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs. Cut out faces that she used included Woodrow Wilson, King Ferdinand of Bulgaria, French president Raymond Poincaré and the actress Mona Delza. https://drive.google.com/file/d/1XI_lWChguCdGXwp7qEzW9MZ8-4-9Dz6F/view?usp=sharing
The article about this phenomenon in Encyclopædia Britannica places emphasis that "… one by one spiritual mediums were convicted of fraud, sometimes using the tricks borrowed from scenic "magicians" to convince their paranormal abilities". In the article it is also noted that "… the opening of the wide ranging fraud happening on spiritualistic sessions caused serious damage to reputation of the movement of a Spiritualism and in the USA pushed it on the public periphery". https://drive.google.com/file/d/1y5Nf16dWP74wWod3tdEZ2TTw0KpVA-UP/view?usp=sharing
^ Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 29. ISBN 978-0-87975-300-9 "Florence Cook was caught cheating not only before her séances with Crookes but also afterward. Furthermore, she learned her trade from the mediums Frank Herne and Charles Williams, who were notorious for their cheating." Also see M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p. 64. ISBN 978-1-57392-161-9 "The most famous of materialization mediums, Florence Cook – though she managed to convince a scientist, Sir William Crookes, that she was genuine – was repeatedly exposed in fraud. Florence had been trained in the arts of the séance by Frank Herne, a well-known physical medium whose materializations were grabbed on more than one occasion and found to be the medium himself."
According to the magician John Booth the stage mentalist David Devant managed to fool a number of people into believing he had genuine psychic ability who did not realize that his feats were magic tricks. At St. George's Hall, London he performed a fake "clairvoyant" act where he would read a message sealed inside an envelope. The spiritualist Oliver Lodge who was present in the audience was duped by the trick and claimed that Devant had used psychic powers. In 1936 Devant in his book Secrets of My Magic revealed the trick method he had used.
Clairvoyance. Clairvoyant mediums can see spirits, auras, objects and places that are not perceptible to others. People who have passed away may appear to them in visions, or they may be able to vividly sense a place to which they have never been. Psychic mediums see these visions with their third eye, located between the two physical eyes. Everyone has a third eye, but the average person's is closed or too weak to use. https://drive.google.com/file/d/1hIeoWYzztTwt1xYWokVc2KBHrzWR53is/view?usp=sharing
In a series of experiments in London at the house of William Crookes in February 1875, the medium Anna Eva Fay managed to fool Crookes into believing she had genuine psychic powers. Fay later confessed to her fraud and revealed the tricks she had used. Frank Herne a British medium who formed a partnership with the medium Charles Williams was repeatedly exposed in fraudulent materialization séances. In 1875, he was caught pretending to be a spirit during a séance in Liverpool and was found "clothed in about two yards of stiffened muslin, wound round his head and hanging down as far as his thigh." Florence Cook had been "trained in the arts of the séance" by Herne and was repeatedly exposed as a fraudulent medium.
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On 4 February 1922, Harry Price with James Seymour, Eric Dingwall and William S. Marriott had proven the spirit photographer William Hope was a fraud during tests at the British College of Psychic Science. Price wrote in his SPR report "William Hope has been found guilty of deliberately substituting his own plates for those of a sitter... It implies that the medium brings to the sitting a duplicate slide and faked plates for fraudulent purposes." The medium Kathleen Goligher was investigated by the physicist Edmund Edward Fournier d'Albe. On July 22, 1921 in a séance he observed Goligher holding the table up with her foot. He also discovered that her ectoplasm was made of muslin. During a séance d'Albe observed white muslin between Goligher's feet.
The psychologist and psychical researcher Stanley LeFevre Krebs had exposed the Bangs Sisters as frauds. During a séance he employed a hidden mirror and caught them tampering with a letter in an envelope and writing a reply in it under the table which they would pretend a spirit had written. The British materialization medium Rosina Mary Showers was caught in many fraudulent séances throughout her career. In 1874 during a séance with Edward William Cox a sitter looked into the cabinet and seized the spirit, the headdress fell off and was revealed to be Showers.
Clairvoyance or "clear seeing", is the ability to see anything that is not physically present, such as objects, animals or people. This sight occurs "in the mind's eye". Some mediums say that this is their normal vision state. Others say that they must train their minds with such practices as meditation in order to achieve this ability, and that assistance from spiritual helpers is often necessary. Some clairvoyant mediums can see a spirit as though the spirit has a physical body. They see the bodily form as if it were physically present. Other mediums see the spirit in their mind's eye, or it appears as a movie or a television programme or a still picture like a photograph in their mind.
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Love & relationship psychic readings can be used during any stage of a relationship. You do not have to be married or in a committed, long-term relationship in order to gain insight from a love-oriented psychic reading. Some people are surprised to learn that you can even talk with a love psychic guide when you are single to see if romance is just around the corner. You can ask for love advice before you officially start something with a potential partner. A quick reading before heading out on a first date can give you a picture of what the evening has in store for you as you meet and get to know this other person. Established couples can benefit from readings as well. You can ask for love & relationship advice whether you're experiencing anxiety or relationship problems due to challenging times or if your romance status is happy, stable, and in tip-top shape. https://drive.google.com/file/d/1MLFfUxzxReqYNokL3liFZkRBioyLsINW/view?usp=sharing
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread. The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair. https://drive.google.com/file/d/15C7azc9N5Rtx8lwGMfSsZVrEmzKBYKsG/view?usp=sharing
Next, I ask for the Spirit who is ready for your session to appear to me. Sometimes, they appear in front of me, next to me, right behind me, sitting on my living room couch, standing at the bottom of the stairs, in the kitchen near the stove - basically wherever I am and going to be looking, that’s where they show up. At this time, I can see most of the features of your loved one - their appearance. And generally, they look exactly as they did when they were alive, though they do get to choose the age in which they appear (who wouldn’t?!).
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.