^ LeCron, Leslie; Bordeaux, Jean (1970). Hypnotism Today. Wilshire Book Co. p. 278. ISBN 0-87980-081-X. When in a trance ... the medium seems to come under the control of another personality, purportedly the spirit of a departed soul, and a genuine medium undoubtedly believes the 'control' to be a spirit entity ... In the trance, the medium often enters a cataleptic state marked by extreme rigidity. The control then takes over, the voice may change completely ... and the supposed spirit answers the questions of the sitter, telling of things 'on the other plane' and gives messages from those who have 'passed over.'
Many 19th century mediums were discovered to be engaged in fraud. While advocates of mediumship claim that their experiences are genuine, the Encyclopædia Britannica article on spiritualism notes in reference to a case in the 19th century that "...one by one, the Spiritualist mediums were discovered to be engaged in fraud, sometimes employing the techniques of stage magicians in their attempts to convince people of their clairvoyant powers." The article also notes that "the exposure of widespread fraud within the spiritualist movement severely damaged its reputation and pushed it to the fringes of society in the United States."
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The British medium Francis Ward Monck was investigated by psychical researchers and discovered to be a fraud. On November 3, 1876 during the séance a sitter demanded that Monck be searched. Monck ran from the room, locked himself in another room and escaped out of a window. A pair of stuffed gloves was found in his room, as well as cheesecloth, reaching rods and other fraudulent devices in his luggage. After a trial Monck was convicted for his fraudulent mediumship and was sentenced to three months in prison. https://drive.google.com/file/d/1daHqn0IeY5p0VYJH2JxmL05muXLeMGc8/view?usp=sharing
The séance trick of the Eddy Brothers was revealed by the magician Chung Ling Soo in 1898. The brothers utilized a fake hand made of lead, and with their hands free from control would play musical instruments and move objects in the séance room. The physiologist Ivor Lloyd Tuckett examined a case of spirit photography that W. T. Stead had claimed was genuine. Stead visited a photographer who had produced a photograph of him with deceased soldier known as "Piet Botha". Stead claimed that the photographer could not have come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.
The exposures of fraudulent activity led to a rapid decline in ectoplasm and materialization séances. Investigator Joe Nickell has written that modern self-proclaimed mediums like John Edward, Sylvia Browne, Rosemary Altea and James Van Praagh are avoiding the Victorian tradition of dark rooms, spirit handwriting and flying tambourines as these methods risk exposure. They instead use "mental mediumship" tactics like cold reading or gleaning information from sitters before hand (hot reading). Group readings also improve hits by making general statements with conviction, which will fit at least one person in the audience. Shows are carefully edited before airing to show only what appears to be hits and removing anything that does not reflect well on the medium.
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^ "Spiritism is not a religion but a science", as the famous French astronomer Camille Flammarion said in Allan Kardec's Eulogy on April 2, 1869, in Death and Its Mystery – After Death. Manifestations and Apparitions of the Dead; The Soul After Death Translated by Latrobe Carroll (London: Adelphi Terrace, 1923), archive version at Allan Kardec eulogy
In the late 19th century, the fraudulent methods of spirit photographers such as David Duguid and Edward Wyllie were revealed by psychical researchers. Hereward Carrington documented various methods (with diagrams) how the medium would manipulate the plates before, during, and after the séance to produce spirit forms. The ectoplasm materializations of the French medium Eva Carrière were exposed as fraudulent. The fake ectoplasm of Carrière was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs. Cut out faces that she used included Woodrow Wilson, King Ferdinand of Bulgaria, French president Raymond Poincaré and the actress Mona Delza. https://drive.google.com/file/d/1XI_lWChguCdGXwp7qEzW9MZ8-4-9Dz6F/view?usp=sharing
Rebecca Rosen has served as a bridge between this world and those who have crossed over to the other side for the past 10 years. Her work has led to many guest appearances, including Entertainment Tonight, The Rachael Ray Show and Nightline, and her first book, Spirited: Connect to the Guides All Around You (HarperCollins). Due to the high and growing demand for spiritual truth, she has committed herself fulltime to serving as a medium and also educates thousands of people around the country with her seminars, lectures and workshops. Learn more about Rosen by visiting her website.
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The article about this phenomenon in Encyclopædia Britannica places emphasis that "… one by one spiritual mediums were convicted of fraud, sometimes using the tricks borrowed from scenic "magicians" to convince their paranormal abilities". In the article it is also noted that "… the opening of the wide ranging fraud happening on spiritualistic sessions caused serious damage to reputation of the movement of a Spiritualism and in the USA pushed it on the public periphery".
The fraudulent medium Ronald Edwin confessed he had duped his séance sitters and revealed the fraudulent methods he had used in his book Clock Without Hands (1955). The psychical researcher Tony Cornell investigated the mediumship of Alec Harris in 1955. During the séance "spirit" materializations emerged from a cabinet and walked around the room. Cornell wrote that a stomach rumble, nicotine smelling breath and a pulse gave it away that all the spirit figures were in fact Harris and that he had dressed up as each one behind the cabinet.
^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot."
Cold reading also explains why psychics have consistently failed scientific tests of their powers. By isolating them from their clients, psychics are unable to pick up information from the way those clients dress or behave. By presenting all of the volunteers involved in the test with all of the readings, they are prevented from attributing meaning to their own reading, and therefore can't identify it from readings made for others. As a result, the type of highly successful hit rate that psychics enjoy on a daily basis comes crashing down and the truth emerges – their success depends on a fascinating application of psychology and not the existence of paranormal abilities. https://drive.google.com/file/d/1Jp5LrVrI3j2JYGsZHnjPsuFPsq2Uv4mL/view?usp=sharing
Clairvoyance or "clear seeing", is the ability to see anything that is not physically present, such as objects, animals or people. This sight occurs "in the mind's eye". Some mediums say that this is their normal vision state. Others say that they must train their minds with such practices as meditation in order to achieve this ability, and that assistance from spiritual helpers is often necessary. Some clairvoyant mediums can see a spirit as though the spirit has a physical body. They see the bodily form as if it were physically present. Other mediums see the spirit in their mind's eye, or it appears as a movie or a television programme or a still picture like a photograph in their mind.
During the séance or trance period, note that as a medium you should not ask too many questions of the person you are helping. A good medium never asks the client to tell them the name of the deceased or any details; otherwise, it is not a valid reading. It is up to you to validate the deceased loved one's name, occupation in life, birth date, physical description, how they passed, and so on. https://drive.google.com/file/d/157t0C27Ir-RP1fH5L9vuiydIX4mQKdg_/view?usp=sharing
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread. The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair. https://drive.google.com/file/d/15C7azc9N5Rtx8lwGMfSsZVrEmzKBYKsG/view?usp=sharing
No doubt a great importance in the paranormal field is the problem of fraud. The field of psychic research and spiritualism has been so notoriously full of charlatans, such as the Fox sisters and Eusapia Palladino–individuals who claim to have special power and gifts but who are actually conjurers who have hoodwinked scientists and the public as well–that we have to be especially cautious about claims made on their behalf.
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.