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In 1936, the psychical researcher Nandor Fodor tested the Hungarian apport medium Lajos Pap in London and during the séance a dead snake appeared. Pap was searched and was found to be wearing a device under his robe, where he had hidden the snake. A photograph taken at a séance in 1937 in London shows the medium Colin Evans "levitating" in mid air. He claimed that spirits had lifted him. Evans was later discovered to be a fraud as a cord leading from a device in his hand has indicated that it was himself who triggered the flash-photograph and that all he had done was jump from his chair into the air and pretend he had levitated.
The Austrian medium Rudi Schneider was investigated in 1924 by the physicists Stefan Meyer and Karl Przibram. They caught Rudi freeing his arm in a series of séances. Rudi claimed he could levitate objects but according to Harry Price a photograph taken on April 28, 1932 showed that Rudi had managed to free his arm to move a handkerchief from the table. According to Warren Jay Vinton, Schneider was an expert at freeing himself from control in the séance room. Oliver Gatty and Theodore Besterman who tested Schneider concluded that in their tests there was "no good evidence that Rudi Schneider possesses supernormal powers."
The article about this phenomenon in Encyclopædia Britannica places emphasis that "… one by one spiritual mediums were convicted of fraud, sometimes using the tricks borrowed from scenic "magicians" to convince their paranormal abilities". In the article it is also noted that "… the opening of the wide ranging fraud happening on spiritualistic sessions caused serious damage to reputation of the movement of a Spiritualism and in the USA pushed it on the public periphery". https://drive.google.com/file/d/1y5Nf16dWP74wWod3tdEZ2TTw0KpVA-UP/view?usp=sharing
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^ M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p 122. ISBN 978-1-57392-161-9 "A medium still riding high in England is Leslie Flint, famed as an exponent of direct voice. William Rauscher and Allen Spraggett, who attended a sitting Flint held in 1970 in New York, said that it was the most abysmal flop of any seance they had endured. All the spirit voices sounded exactly like the medium and displayed an incredible ignorance of nearly everything pertaining to the sitters. The "mediumship " was second-rate ventriloquism."
What actually transpires during the trance is that the clairvoyant medium sees visions, hears voices, feels the energy and interprets his experiences in intelligible human language. The narration of the sequence of events is convincing as it divulges the secrets and facts, which are known only to the seeker. This revelation of personal facts builds trusts between the seeker and the clairvoyant medium.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
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14. You feel the presence of Spirits – You sense that there *could* be a spirit, but you’re not sure. Maybe you feel like someone is watching you, but it’s just you and Fido hanging out, snacking on popcorn and watching Game of Thrones. You may feel a sudden wave of emotion, such as sadness or anxiety associated with the presence. (clairsentience)
From its earliest beginnings to contemporary times, mediumship practices have had many instances of fraud and trickery. Séances take place in darkness so the poor lighting conditions can become an easy opportunity for fraud. Physical mediumship that has been investigated by scientists has been discovered to be the result of deception and trickery. Ectoplasm, a supposed paranormal substance, was revealed to have been made from cheesecloth, butter, muslin, and cloth. Mediums would also stick cut-out faces from magazines and newspapers onto cloth or on other props and use plastic dolls in their séances to pretend to their audiences spirits were contacting them. Lewis Spence in his book An Encyclopaedia of Occultism (1960) wrote: https://drive.google.com/file/d/1rrXPtB9sGi67HwXA-JNbF6Z9qXtdSQX8/view?usp=sharing
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.