^ God's World: A Treatise on Spiritualism Founded on Transcripts of Shorthand Notes Taken Down, Over a Period of Five Years, in the Seance-Room of the William T. Stead Memorial Center (a Religious Body Incorporated Under the Statutes of the State of Illinois), Mrs. Cecil M. Cook, Medium and Pastor. Compiled and Written by Lloyd Kenyon Jones. Chicago, Ill.: The William T. Stead Memorial Center, 1919.
In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The exposé was published in the 10 July 1960 issue of the Psychic Observer.:96–97
The British direct-voice medium Frederick Tansley Munnings was exposed as a fraud when one of his séance sitters turned the lights on which revealed him to be holding a trumpet by means of a telescopic extension piece and using an angle piece to change the auditory effect of his voice. Richard Hodgson held six sittings with the medium Rosina Thompson and came to the conclusion she was a fraud as he discovered Thompson had access to documents and information about her séance sitters.
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In 1930 the Polish medium Stanisława P. was tested at the Institut Metapsychique in Paris. French psychical researcher Eugéne Osty suspected in the séance that Stanislawa had freed her hand from control. Secret flashlight photographs that were taken revealed that her hand was free and she had moved objects on the séance table. It was claimed by spiritualists that during a series of séances in 1930 the medium Eileen J. Garrett channeled secret information from the spirit of the Lieutenant Herbert Carmichael Irwin who had died in the R101 crash a few days before the séance. Researcher Melvin Harris who studied the case wrote that the information described in Garrett's séances were "either commonplace, easily absorbed bits and pieces, or plain gobblede-gook. The so-called secret information just doesn't exist."
I believe that we co-create our future. When a psychic tunes in to you or someone else, they can pick up a lot of information about how you and that other person are feeling in that moment and what is going on for you and for them that might impact on the connection between you. They can also look further down the line and see what may happen in the future.
But here's the interesting part: the writing samples produced were analyzed and it was found that the complexity scores for the psychographed content were higher than those for the control writing across the board. In particular, the more experienced mediums showed higher complexity scores, which typically would require more activity in the frontal and temporal lobes--but that's precisely the opposite of what was observed.
In 1917, Edward Clodd analyzed the mediumship of the trance medium Gladys Osborne Leonard and came to the conclusion that Leonard had known her séance sitters before she had held the séances, and could have easily obtained such information by natural means. The British psychiatrist Charles Arthur Mercier wrote in his book Spiritualism and Sir Oliver Lodge (1917) that Oliver Lodge had been duped into believing mediumship by trickery and his spiritualist views were based on assumptions and not scientific evidence.
When you are looking for spiritual or psychic help, you will usually have trouble in your life. This could be emotional, existential as well as practical. Although a psychic and a spiritual guide will both help you in figuring out what you need, it is a good idea to do your homework: be as clear on your purpose of seeking the reading as you can manage. That will help you determine what type of professional you could best ask for help.
According to the magician John Booth the stage mentalist David Devant managed to fool a number of people into believing he had genuine psychic ability who did not realize that his feats were magic tricks. At St. George's Hall, London he performed a fake "clairvoyant" act where he would read a message sealed inside an envelope. The spiritualist Oliver Lodge who was present in the audience was duped by the trick and claimed that Devant had used psychic powers. In 1936 Devant in his book Secrets of My Magic revealed the trick method he had used.
The trance medium Leonora Piper was investigated by psychical researchers and psychologists in the late 19th and early 20th century. In an experiment to test if Piper's "spirit" controls were purely fictitious the psychologist G. Stanley Hall invented a niece called Bessie Beals and asked Piper's 'control' to get in touch with it. Bessie appeared, answered questions and accepted Hall as her uncle. The psychologist Joseph Jastrow wrote that Piper pretended to be controlled by spirits and fell into simple and logical traps from her comments. Science writer Martin Gardner concluded Piper was a cold reader that would "fish" for information from her séance sitters. The physiologist Ivor Lloyd Tuckett who examined Piper's mediumship in detail wrote it could be explained by "muscle-reading, fishing, guessing, hints obtained in the sitting, knowledge surreptitiously obtained, knowledge acquired in the interval between sittings and lastly, facts already within Mrs. Piper's knowledge."
In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report. In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."
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