Spiritualists believe that phenomena produced by mediums (both mental and physical mediumship) are the result of external spirit agencies. The psychical researcher Thomson Jay Hudson in The Law of Psychic Phenomena (1892) and Théodore Flournoy in his book Spiritism and Psychology (1911) wrote that all kinds of mediumship could be explained by suggestion and telepathy from the medium and that there was no evidence for the spirit hypothesis. The idea of mediumship being explained by telepathy was later merged into the "super-ESP" hypothesis of mediumship which is currently advocated by some parapsychologists.
Because the earliest tarot cards were hand-painted, the number of the decks produced is thought to have been small. It was only after the invention of the printing press that mass production of cards became possible. The expansion of tarot outside of Italy, first to France and Switzerland, occurred during the Italian Wars. The most important tarot pattern used in these two countries was the Tarot of Marseilles of Milanese origin.
Clairvoyance or "clear seeing", is the ability to see anything that is not physically present, such as objects, animals or people. This sight occurs "in the mind's eye". Some mediums say that this is their normal vision state. Others say that they must train their minds with such practices as meditation in order to achieve this ability, and that assistance from spiritual helpers is often necessary. Some clairvoyant mediums can see a spirit as though the spirit has a physical body. They see the bodily form as if it were physically present. Other mediums see the spirit in their mind's eye, or it appears as a movie or a television programme or a still picture like a photograph in their mind.
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In 1781, a French Freemason (and former Protestant minister) named Antoine Court de Gebelin published a complex analysis of the Tarot, in which he revealed that the symbolism in the Tarot was in fact derived from the esoteric secrets of Egyptian priests. De Gebelin went on to explain that this ancient occult knowledge had been carried to Rome and revealed to the Catholic Church and the popes, who desperately wanted to keep this arcane knowledge secret. In his essay, the chapter on Tarot meanings explains the detailed symbolism of Tarot artwork and connects it to the legends of Isis, Osiris and other Egyptian gods.
There are many ways of working with the deck. You should choose your own deck by being drawn to it intuitively. There are layers upon layers of systems to learn, including Kabbalah, the tree of life, colour scales, Hebrew letters, numerology, pathways, symbolism, alchemy, astrology, mythology and learning to meditate with each card directly. The more layers you learn the deeper your knowledge and insight into the cards.
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In recent years, we've seen the emergence of "celebrity mediums," who are people that have become famous simply for being mediums. This, in turn, has led to some fairly intense scrutiny of those who claim to have mediumship ability. People like the "Long Island Medium," Theresa Caputo and Allison DuBois, who inspired the hit television show Medium, have often been criticized for taking advantage of their clients' grief. Still worse, many are accused of being frauds.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
The first documented tarot packs were recorded between 1440 and 1450 in Milan, Ferrara, Florence and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi, which became "trumps" in English. The earliest documentation of trionfi is found in a written statement in the court records of Florence, in 1440, regarding the transfer of two decks to Sigismondo Pandolfo Malatesta.