^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot." https://drive.google.com/file/d/1lfkfFLrxcEniet0G2UUIj-c3Tp03HESc/view?usp=sharing
In 1907, Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography. between 1908 and 1914 the Italian medium Francesco Carancini was investigated by psychical researchers and they discovered that he used phosphorus matches to produce "spirit lights" and with a freed hand would move objects in the séance room.
^ Brian Righi. (2008). Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural through History. Llewellyn Publications. Llewellyn Publications. p. 52. ISBN 978-0-7387-1363-2 "One medium of the 1920s, Mina Crandon, became famous for producing ectoplasm during her sittings. At the height of the séance, she was even able to produce a tiny ectoplasmic hand from her navel, which waved about in the darkness. Her career ended when Harvard biologists were able to examine the tiny hand and found it to be nothing more than a carved piece of animal liver." https://drive.google.com/file/d/1OHKlH4o8c2zEtwTGfQDr9dEarGTpib1-/view?usp=sharing
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
While I still am unsure why the translucence varies, I believe it’s a mixture of how closely they are still tied to the physical earth (more connected to earth, more ‘earthly’ looking, less connected, more ‘spirity’ looking). I also think it has to do with their skill level at being able to appear and the amount of energy they have to appear - it takes a lot of skill and energy to appear as a human in physical form without an actual physical body to work with!
Magicians have a long history of exposing the fraudulent methods of mediumship. Early debunkers included Chung Ling Soo, Henry Evans and Julien Proskauer. Later magicians to reveal fraud were Joseph Dunninger, Harry Houdini and Joseph Rinn. Rose Mackenberg, a private investigator who worked with Houdini during the 1920s, was among the most prominent debunkers of psychic fraud during the mid-20th century.
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After her death in the 1980s the medium Doris Stokes was accused of fraud, by author and investigator Ian Wilson. Wilson stated that Mrs Stokes planted specific people in her audience and did prior research into her sitters. Rita Goold a physical medium during the 1980s was accused of fraud, by the psychical researcher Tony Cornell. He claimed she would dress up as the spirits in her séances and would play music during them which provided cover for her to change clothes.
In 1970 two psychical researchers investigated the direct-voice medium Leslie Flint and found that all the "spirit" voices in his séance sounded exactly like himself and attributed his mediumship to "second-rate ventriloquism". The medium Arthur Ford died leaving specific instructions that all of his files should be burned. In 1971 after his death, psychical researchers discovered his files but instead of burning them they were examined and discovered to be filled with obituaries, newspaper articles and other information, which enabled Ford to research his séance sitters backgrounds.
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.
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