In 1991, Wendy Grossman in the New Scientist criticized the parapsychologist Stephen E. Braude for ignoring evidence of fraud in mediumship. According to Grossman "[Braude] accuses sceptics of ignoring the evidence he believes is solid, but himself ignores evidence that does not suit him. If a medium was caught cheating on some occasions, he says, the rest of that medium's phenomena were still genuine." Grossman came to the conclusion that Braude did not do proper research on the subject and should study "the art of conjuring."
In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud. The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks. The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann. https://drive.google.com/file/d/1NC_exEwvIecJ9EWDa-MwzzZdzPkWWZ-H/view?usp=sharing
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.