The biblical basis of this practice is St. Paul's advice to his disciple Timothy whom he appointed bishop. St. Paul told him to "Attend to reading." The word "attend" an allusion to the many other concerns that a bishop has to attend to. By this, according to St. Alphonsus Liguori, Doctor of the Church on Moral theology, the Apostle Paul "wished him to apply to the reading of holy books, not in a passing way and for a short time, but regularly and for a considerable time."
^ Joseph Jastrow. (1935). Patience Worth: An Alter Ego in Wish and Wisdom: Episodes in the Vagaries of Belief. D. Appleton-Century Company. pp. 78–92. Lyon Sprague de Camp. (1966). Spirits, Stars, and Spells. New York: Canaveral. p. 247. Robert Goldenson. (1973). Mysteries of the Mind: The Drama of Human Behavior. Doubleday. pp. 44–53. Milbourne Christopher. (1970). ESP, Seers and Psychics. New York: Crowell. pp. 128–29
The illustrations of French-suited tarot trumps depart considerably from the older Italian-suited design, abandoning the Renaissance allegorical motifs. With the exception of novelty decks, French-suited tarot cards are almost exclusively used for card games. The first generation of French-suited tarots depicted scenes of animals on the trumps and were thus called "Tiertarock" ('Tier' being German for 'animal') appeared around 1740. Around 1800, a greater variety of decks were produced, mostly with genre art or veduta. Current French-suited tarot decks come in these patterns:
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In 1909, Arthur Edward Waite and Pamela Colman Smith designed and published a tarot deck loosely based on the teachings of the Hermetic Order of the Golden Dawn. This timeless deck is commonly known as the Rider-Waite deck and is still the most popular tarot variant for both beginner and professional card readers. In 1943, occultist Aleister Crowley (the self-declared nemesis of Arthur Edward Waite) and Lady Frieda Harris published their own interpretation of the Hermetic Order of the Golden Dawn's tarot. Their Thoth deck, named after the Egyptian god of alphabets, incorporates specific astrological symbolism into each card, linking the divination practice to the cosmos.
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Colin Fry was exposed in 1992 when during a séance the lights were unexpectedly turned on and he was seen holding a spirit trumpet in the air, which the audience had been led to believe was being levitated by spiritual energy. In 1997, Massimo Polidoro and Luigi Garlaschelli produced wax-moulds directly from one's hand which were exactly the same copies as Gustav Geley obtained from Franek Kluski, which are kept at the Institute Metapsychique International.
The psychical researchers Eric Dingwall and Harry Price re-published an anonymous work written by a former medium entitled Revelations of a Spirit Medium (1922) which exposed the tricks of mediumship and the fraudulent methods of producing "spirit hands". Originally all the copies of the book were bought up by spiritualists and deliberately destroyed. In 1923, the magician Carlos María de Heredia revealed how fake spirit hands could be made by using a rubber glove, paraffin and a jar of cold water.