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The psychical researchers W. W. Baggally and Everard Feilding exposed the British materialization medium Christopher Chambers as a fraud in 1905. A false moustache was discovered in the séance room which he used to fabricate the spirit materializations. The British medium Charles Eldred was exposed as a fraud in 1906. Eldred would sit in a chair in a curtained off area in the room known as a "séance cabinet". Various spirit figures would emerge from the cabinet and move around the séance room, however, it was discovered that the chair had a secret compartment that contained beards, cloths, masks, and wigs that Eldred would dress up in to fake the spirits.
Psychic Three's studio was nestled in a suburban strip mall and plastered with the classic psychic decor that makes graphic designers consider seppuku—deep purple signs with all-caps yellow text and neon crystal balls. I scampered up a bright red stairwell and into a purple room (same purple as the signs) where a smiling woman wearing a tank top and sweat pants was sitting at a small table. I sat down opposite her and took in the weird mix of art—a small tapestry of what I'm quite sure was Jesus and his disciples on the table, but also a fair share of Buddha statues, too.
Together, the Major and Minor Arcana cards create a comprehensive pictorial language. It is important to remember that all the answers we seek exist innately within the deck, with each card illustrating a person, circumstance, or potential outcome. Since there are no secret puzzles or hidden agendas with tarot, the ability to discern meaning lies within your own narrative interpretation.
There are now thousands of types of tarot decks to choose from, Hello Kitty to zombies. A traditional deck has 22 Major Arcana (or trumps) which are the archetypal images. There are 56 Minor Arcana cards, sixteen Court or Personality cards; the Kings, Queens, Princes and Pages, just like modern playing cards. There are four elements or suits: Fire, Earth, Air and Water, with 10 cards in each. There are no inherently negative cards.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."