From its earliest beginnings to contemporary times, mediumship practices have had many instances of fraud and trickery. Séances take place in darkness so the poor lighting conditions can become an easy opportunity for fraud. Physical mediumship that has been investigated by scientists has been discovered to be the result of deception and trickery. Ectoplasm, a supposed paranormal substance, was revealed to have been made from cheesecloth, butter, muslin, and cloth. Mediums would also stick cut-out faces from magazines and newspapers onto cloth or on other props and use plastic dolls in their séances to pretend to their audiences spirits were contacting them. Lewis Spence in his book An Encyclopaedia of Occultism (1960) wrote:
In a series of fake séance experiments (Wiseman et al. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake séances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the séance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
The "three-card spread" is one of the most simple and effective tarot spreads. You can adjust the categories to accommodate any situation (past, present, future; yourself, the other person, the relationship; opportunities, challenges, outcomes; mind, body, spirit). The cards and their corresponding positions will effortlessly expose bonds and dynamics. But before reading the straightforward explanation of each card, take a moment to create your own story based on observation. How do the cards you drew make you feel? What are the colors and symbols? If there are characters, are they facing towards or away from each other? Do the illustrations seem cohesive or disjointed?
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The first documented tarot packs were recorded between 1440 and 1450 in Milan, Ferrara, Florence and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi, which became "trumps" in English. The earliest documentation of trionfi is found in a written statement in the court records of Florence, in 1440, regarding the transfer of two decks to Sigismondo Pandolfo Malatesta.