In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud. The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks. The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann.
The Minor Arcana cards are broken up into four suits, each containing ten numbered cards and four court cards. In the Minor Arcana, the card's number reveals the stage of an event: The ace card represents the beginning, while the ten symbolizes the end. Similarly, the progression of the court cards demonstrates our understanding of circumstances on an individual level, representing either personality types or actual people. The Page (or Princess, in some decks), Knight, Queen, and King interpret circumstances with increasing levels of understanding and wisdom.
The British journalist Ruth Brandon published the book The Spiritualists (1983) which exposed the fraud of the Victorian mediums. The book received positive reviews and has been influential to skeptics of spiritualism. The British apport medium Paul McElhoney was exposed as a fraud during a séance in Osset, Yorkshire in 1983. The tape recorder that McElhoney took to his séances was investigated and a black tape was discovered bound around the battery compartment and inside carnation flowers were found as well as a key-ring torch and other objects.
The medium Frank Decker was exposed as a fraud in 1932. A magician and séance sitter who called himself M. Taylor presented a mail bag and Decker agreed to lock himself inside it. During the séance objects were moved around the room and it was claimed spirits had released Decker from the bag. It was later discovered to have been a trick as Martin Sunshine, a magic dealer admitted that he sold Decker a trick mail bag, such as stage escapologists use, and had acted as the medium's confederate by pretending to be M. Taylor, a magician. The British medium Estelle Roberts claimed to materialize an Indian spirit guide called "Red Cloud". Researcher Melvin Harris who examined some photographs of Red Cloud wrote the face was the same as Roberts and she had dressed up in a feathered war-bonnet.
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Maryne Hachey is an Angel Therapist®, Psychic Medium, Author, Intuitive Healer, Mediator, Spiritual Teacher, Spiritual Guide and International Radio Show Host. Maryne Hachey communicates with your Angels and Guides to receive Divine guidance for all aspects of your life. She channels messages of love from God, the Angelic and Ascended Master realms, deceased loved ones and pets. Changing patterns in our life can be difficult, and sometimes ev
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Welcome, cosmic warriors. I'm Aliza Kelly Faragher, Allure's resident astrologer, and this is Aliza's Allure Astrology, a column dedicated to astrology, esotericism, and all things magick. (That's not to be confused with magic, which has more to do with entertainment — think pulling rabbits out of hats — than inner growth.) In each installation, I'm taking a closer look at an otherworldly subject, exploring both important celestial events and time-honored traditions of the occult. Today, we're getting acquainted with the ancient art of taromancy, or divination through the use of tarot cards.
I am fueled by my desire to inspire others to awaken to their true potential. Utilizing my natural intuitive abilities combined with my commitment to wellness, I assist others on their own journey of self discovery. Healing is an intimate process. And I have learned that there is rarely a clear cut way to heal. Each person possesses a unique blueprint but not given any means to access the information hidden within it — until now! I’m d
Illusionists, such as Joseph Rinn have staged 'fake' séances in which the sitters have claimed to have observed genuine supernatural phenomena. Albert Moll studied the psychology of séance sitters. According to (Wolffram, 2012) "[Moll] argued that the hypnotic atmosphere of the darkened séance room and the suggestive effect of the experimenters' social and scientific prestige could be used to explain why seemingly rational people vouchsafed occult phenomena." The psychologists Leonard Zusne and Warren Jones in their book Anomalistic Psychology: A Study of Magical Thinking (1989) wrote that spirits controls are the "products of the medium's own psychological dynamics."
Between 8 November and 31 December 1920 Gustav Geley of the Institute Metapsychique International attended fourteen séances with the medium Franek Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924. Harry Houdini replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.
The "three-card spread" is one of the most simple and effective tarot spreads. You can adjust the categories to accommodate any situation (past, present, future; yourself, the other person, the relationship; opportunities, challenges, outcomes; mind, body, spirit). The cards and their corresponding positions will effortlessly expose bonds and dynamics. But before reading the straightforward explanation of each card, take a moment to create your own story based on observation. How do the cards you drew make you feel? What are the colors and symbols? If there are characters, are they facing towards or away from each other? Do the illustrations seem cohesive or disjointed?
The researchers speculate that maybe as frontal lobe activity decreases, "the areas of the brain that support mediumistic writing are further disinhibited (similar to alcohol or drug use) so that the overall complexity can increase." In a similar manner, they say, improvisational music performance is associated with lower levels of frontal lobe activity which allows for more creative activity.