In 1907, Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography.[110] between 1908 and 1914 the Italian medium Francesco Carancini was investigated by psychical researchers and they discovered that he used phosphorus matches to produce "spirit lights" and with a freed hand would move objects in the séance room.[111]
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread.[117] The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair.[118]

^ LeCron, Leslie; Bordeaux, Jean (1970). Hypnotism Today. Wilshire Book Co. p. 278. ISBN 0-87980-081-X. When in a trance ... the medium seems to come under the control of another personality, purportedly the spirit of a departed soul, and a genuine medium undoubtedly believes the 'control' to be a spirit entity ... In the trance, the medium often enters a cataleptic state marked by extreme rigidity. The control then takes over, the voice may change completely ... and the supposed spirit answers the questions of the sitter, telling of things 'on the other plane' and gives messages from those who have 'passed over.' https://drive.google.com/file/d/19XBpCeNfCJAhAffoBmEKrOMPHlCPQ1uy/view?usp=sharing
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room.[121] In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand.[122] According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."[123]
In the late 19th century, the fraudulent methods of spirit photographers such as David Duguid and Edward Wyllie were revealed by psychical researchers.[95] Hereward Carrington documented various methods (with diagrams) how the medium would manipulate the plates before, during, and after the séance to produce spirit forms.[96] The ectoplasm materializations of the French medium Eva Carrière were exposed as fraudulent. The fake ectoplasm of Carrière was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs.[97] Cut out faces that she used included Woodrow Wilson, King Ferdinand of Bulgaria, French president Raymond Poincaré and the actress Mona Delza.[98] https://drive.google.com/file/d/1Zc3KULgEeXfa-vu5QjH7kGb4X1RKWEi3/view?usp=sharing
^ "Spiritism is not a religion but a science", as the famous French astronomer Camille Flammarion said in Allan Kardec's Eulogy on April 2, 1869, in Death and Its Mystery – After Death. Manifestations and Apparitions of the Dead; The Soul After Death Translated by Latrobe Carroll (London: Adelphi Terrace, 1923), archive version at Allan Kardec eulogy
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The medium Henry Slade was caught in fraud many times throughout his career. In a séance in 1876 in London Ray Lankester and Bryan Donkin snatched his slate before the "spirit" message was supposed to be written, and found the writing already there.[78] Slade also played an accordion with one hand under the table and claimed spirits would play it. The magician Chung Ling Soo revealed how Slade had performed the trick.[79]
Michael Shermer criticized mediums in Scientific American, saying, "mediums are unethical and dangerous: they prey on the emotions of the grieving. As grief counselors know, death is best faced head-on as a part of life." Shermer wrote that the human urge to seek connections between events that may form patterns meaningful for survival is a function of natural evolution, and called the alleged ability of mediums to talk to the dead "a well-known illusion of a meaningful pattern."[204]
^ Joseph Jastrow. (1935). Patience Worth: An Alter Ego in Wish and Wisdom: Episodes in the Vagaries of Belief. D. Appleton-Century Company. pp. 78–92. Lyon Sprague de Camp. (1966). Spirits, Stars, and Spells. New York: Canaveral. p. 247. Robert Goldenson. (1973). Mysteries of the Mind: The Drama of Human Behavior. Doubleday. pp. 44–53. Milbourne Christopher. (1970). ESP, Seers and Psychics. New York: Crowell. pp. 128–29
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