The exposures of fraudulent activity led to a rapid decline in ectoplasm and materialization séances.[202] Investigator Joe Nickell has written that modern self-proclaimed mediums like John Edward, Sylvia Browne, Rosemary Altea and James Van Praagh are avoiding the Victorian tradition of dark rooms, spirit handwriting and flying tambourines as these methods risk exposure. They instead use "mental mediumship" tactics like cold reading or gleaning information from sitters before hand (hot reading). Group readings also improve hits by making general statements with conviction, which will fit at least one person in the audience. Shows are carefully edited before airing to show only what appears to be hits and removing anything that does not reflect well on the medium.[203]
During the séance or trance period, note that as a medium you should not ask too many questions of the person you are helping. A good medium never asks the client to tell them the name of the deceased or any details; otherwise, it is not a valid reading. It is up to you to validate the deceased loved one's name, occupation in life, birth date, physical description, how they passed, and so on.
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In 1954, the psychical researcher Rudolf Lambert published a report revealing details about a case of fraud that was covered up by many early members of the Institute Metapsychique International (IMI).[166] Lambert who had studied Gustav Geley's files on the medium Eva Carrière discovered photographs depicting fraudulent ectoplasm taken by her companion Juliette Bisson.[166] Various "materializations" were artificially attached to Eva's hair by wires. The discovery was never published by Geley. Eugéne Osty (the director of the institute) and members Jean Meyer, Albert von Schrenck-Notzing and Charles Richet all knew about the fraudulent photographs but were firm believers in mediumship phenomena so demanded the scandal be kept secret.[166]
In the 1930s Harry Price (director of the National Laboratory of Psychical Research) had investigated the medium Helen Duncan and had her perform a number of test séances. She was suspected of swallowing cheesecloth which was then regurgitated as "ectoplasm".[151] Price had proven through analysis of a sample of ectoplasm produced by Duncan, that it was made of cheesecloth.[152] Helen Duncan would also use a doll made of a painted papier-mâché mask draped in an old sheet which she pretended to her sitters was a spirit.[153] The photographs taken by Thomas Glendenning Hamilton in the 1930s of ectoplasm reveal the substance to be made of tissue paper and magazine cut-outs of people. The famous photograph taken by Hamilton of the medium Mary Ann Marshall depicts tissue paper with a cut out of Arthur Conan Doyle's head from a newspaper. Skeptics have suspected that Hamilton may have been behind the hoax.[154] https://drive.google.com/file/d/1kDLmoSdqz-QDS25aG4jqnjiWudIFqg98/view?usp=sharing
The exposures of fraudulent activity led to a rapid decline in ectoplasm and materialization séances.[202] Investigator Joe Nickell has written that modern self-proclaimed mediums like John Edward, Sylvia Browne, Rosemary Altea and James Van Praagh are avoiding the Victorian tradition of dark rooms, spirit handwriting and flying tambourines as these methods risk exposure. They instead use "mental mediumship" tactics like cold reading or gleaning information from sitters before hand (hot reading). Group readings also improve hits by making general statements with conviction, which will fit at least one person in the audience. Shows are carefully edited before airing to show only what appears to be hits and removing anything that does not reflect well on the medium.[203] https://drive.google.com/file/d/1bnXtZd4Su7_JBfVRlbHdn0krhuy0ptNM/view?usp=sharing
In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The exposé was published in the 10 July 1960 issue of the Psychic Observer.[171]:96–97 https://drive.google.com/file/d/1mcvAENesidVlgXF7pGVBbJUoXBg52Wy6/view?usp=sharing
^ Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 29. ISBN 978-0-87975-300-9 "Florence Cook was caught cheating not only before her séances with Crookes but also afterward. Furthermore, she learned her trade from the mediums Frank Herne and Charles Williams, who were notorious for their cheating." Also see M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p. 64. ISBN 978-1-57392-161-9 "The most famous of materialization mediums, Florence Cook – though she managed to convince a scientist, Sir William Crookes, that she was genuine – was repeatedly exposed in fraud. Florence had been trained in the arts of the séance by Frank Herne, a well-known physical medium whose materializations were grabbed on more than one occasion and found to be the medium himself."

In 1954, the psychical researcher Rudolf Lambert published a report revealing details about a case of fraud that was covered up by many early members of the Institute Metapsychique International (IMI).[166] Lambert who had studied Gustav Geley's files on the medium Eva Carrière discovered photographs depicting fraudulent ectoplasm taken by her companion Juliette Bisson.[166] Various "materializations" were artificially attached to Eva's hair by wires. The discovery was never published by Geley. Eugéne Osty (the director of the institute) and members Jean Meyer, Albert von Schrenck-Notzing and Charles Richet all knew about the fraudulent photographs but were firm believers in mediumship phenomena so demanded the scandal be kept secret.[166]


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A series of mediumistic séances known as the Scole Experiment took place between 1993 and 1998 in the presence of the researchers David Fontana, Arthur Ellison and Montague Keen. This has produced photographs, audio recordings and physical objects which appeared in the dark séance room (known as apports).[188] A criticism of the experiment was that it was flawed because it did not rule out the possibility of fraud. The skeptical investigator Brian Dunning wrote the Scole experiments fail in many ways. The séances were held in the basement of two of the mediums, only total darkness was allowed with no night vision apparatus as it might "frighten the spirits away". The box containing the film was not examined and could easily have been accessible to fraud. And finally, even though many years have passed, there has been no follow-up, no further research by any credible agency or published accounts.[188]
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Direct voice communication is the claim that spirits speak independently of the medium, who facilitates the phenomenon rather than produces it. The role of the medium is to make the connection between the physical and spirit worlds. Trumpets are often utilised to amplify the signal, and directed voice mediums are sometimes known as "trumpet mediums". This form of mediumship also permits the medium to participate in the discourse during séances, since the medium's voice is not required by the spirit to communicate. Leslie Flint was one of the best known exponents of this form of mediumship.[28]
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