From its earliest beginnings to contemporary times, mediumship practices have had many instances of fraud and trickery. Séances take place in darkness so the poor lighting conditions can become an easy opportunity for fraud. Physical mediumship that has been investigated by scientists has been discovered to be the result of deception and trickery. Ectoplasm, a supposed paranormal substance, was revealed to have been made from cheesecloth, butter, muslin, and cloth. Mediums would also stick cut-out faces from magazines and newspapers onto cloth or on other props and use plastic dolls in their séances to pretend to their audiences spirits were contacting them. Lewis Spence in his book An Encyclopaedia of Occultism (1960) wrote:
wow, this is amazing. I have learnt a lot from reading this, I am a Pyschic Medium and I am trying to develop more. You have written a very inspiration blog and i am saving this page as a favourites of mine to always reflect on. You have a kind and calming nature to all around you. I can certainly relate to most of the messages, and I know understand that It isn’t about me, and i love the quote ” I define my job as giving a voice to those in spirit”. Thank you.
The fraudulent medium Ronald Edwin confessed he had duped his séance sitters and revealed the fraudulent methods he had used in his book Clock Without Hands (1955). The psychical researcher Tony Cornell investigated the mediumship of Alec Harris in 1955. During the séance "spirit" materializations emerged from a cabinet and walked around the room. Cornell wrote that a stomach rumble, nicotine smelling breath and a pulse gave it away that all the spirit figures were in fact Harris and that he had dressed up as each one behind the cabinet.
In 1891 at a public séance with twenty sitters the medium Cecil Husk was caught leaning over a table pretending to be a spirit by covering his face with phosphor material. The magician Will Goldston also exposed the fraud mediumship of Husk. In a séance Goldston attended a pale face materialization appeared in the room. Goldston wrote "I saw at once that it was a gauze mask, and that the moustache attached to it was loose at one side through lack of gum. I pulled at the mask. It came away, revealing the face of Husk." The British materialization medium Annie Fairlamb Mellon was exposed as a fraud on October 12, 1894. During the séance a sitter seized the materialized spirit, and found it to be the Mellon on her knees with white muslin on her head and shoulders.
The mediums ranged from 15 to 47 years of automatic writing experience, performing up to 18 psychographies per month. All were right-handed, in good mental health, and not currently using any psychiatric drugs. All reported that during the study they were able to reach their usual trance-like state during the psychography task and were in their regular state of consciousness during the control task.
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The card meant to symbolize my hopes and my fears turned out to be the "Love" card, which shook me a bit, seeing as how I went on this quest in the hopes that I would learn more about how I can change my perspective on the love in my life. "There's nothing in this reading that would accentuate the fear and lots that would support the love. It's playful, it's feeding yourself, it's artistic, it's listening to the signs and your gut. Everything is supporting the hope. Unless you let these stupid thoughts run wild, you've got it."
Psychologists and researchers who studied Pearl Curran's automatic writings in the 1930s came to the conclusion Patience Worth was a fictitious creation of Curran. In 1931 George Valiantine was exposed as a fraud in the séance room as it was discovered that he produced fraudulent "spirit" fingerprints in wax. The "spirit" thumbprint that Valiantine claimed belonged to Arthur Conan Doyle was revealed to be the print of his big toe on his right foot. It was also revealed that Valiantine made some of the prints with his elbow.