^ God's World: A Treatise on Spiritualism Founded on Transcripts of Shorthand Notes Taken Down, Over a Period of Five Years, in the Seance-Room of the William T. Stead Memorial Center (a Religious Body Incorporated Under the Statutes of the State of Illinois), Mrs. Cecil M. Cook, Medium and Pastor. Compiled and Written by Lloyd Kenyon Jones. Chicago, Ill.: The William T. Stead Memorial Center, 1919.
The suffix Voyant in Clairvoyant does not necessarily imply seeing pictures, graphics or pictorial presentation as such. ‘Seeing’ may also mean ‘understanding’ like in ‘Oh, I see!’ In this context the ability of the clairvoyant medium may also include clairsentience, which means that the clairvoyant medium clearly senses the things and the situations. He experiences a kind of gut feeling about what is going to happen or how a situation can be best tackled to provide good results.
^ Brian Righi. (2008). Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural through History. Llewellyn Publications. Llewellyn Publications. p. 52. ISBN 978-0-7387-1363-2 "One medium of the 1920s, Mina Crandon, became famous for producing ectoplasm during her sittings. At the height of the séance, she was even able to produce a tiny ectoplasmic hand from her navel, which waved about in the darkness. Her career ended when Harvard biologists were able to examine the tiny hand and found it to be nothing more than a carved piece of animal liver."
Just as in any profession, mediums have specialties and areas of expertise. Unlike Allison Dubois in Medium, I don't work with the police in solving crimes. Or, unlike Melinda Gordon in The Ghost Whisperer, I don't help tormented souls cross over. Over the years, it has become very clear that my job lies in working with souls who have happily crossed over to the other side and, for the most part, are at peace. Sure, they may have regrets or unresolved issues, but they're not haunted or lost. Oftentimes, it's the living that are not at peace. The main goal of your deceased loved ones and spirit guides is to assist you in moving on, free of grief and struggle, so you can fulfill your life lessons and enjoy your time here on earth.
The psychical researchers W. W. Baggally and Everard Feilding exposed the British materialization medium Christopher Chambers as a fraud in 1905. A false moustache was discovered in the séance room which he used to fabricate the spirit materializations. The British medium Charles Eldred was exposed as a fraud in 1906. Eldred would sit in a chair in a curtained off area in the room known as a "séance cabinet". Various spirit figures would emerge from the cabinet and move around the séance room, however, it was discovered that the chair had a secret compartment that contained beards, cloths, masks, and wigs that Eldred would dress up in to fake the spirits.
In a series of experiments holding fake séances, (Wiseman et al. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake séances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the séance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.
^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot." https://drive.google.com/file/d/1PpwyDe2ua5cGzC26TAXnYrB9K-K6WVEp/view?usp=sharing
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Michael Shermer criticized mediums in Scientific American, saying, "mediums are unethical and dangerous: they prey on the emotions of the grieving. As grief counselors know, death is best faced head-on as a part of life." Shermer wrote that the human urge to seek connections between events that may form patterns meaningful for survival is a function of natural evolution, and called the alleged ability of mediums to talk to the dead "a well-known illusion of a meaningful pattern."
In the late 19th century, the fraudulent methods of spirit photographers such as David Duguid and Edward Wyllie were revealed by psychical researchers. Hereward Carrington documented various methods (with diagrams) how the medium would manipulate the plates before, during, and after the séance to produce spirit forms. The ectoplasm materializations of the French medium Eva Carrière were exposed as fraudulent. The fake ectoplasm of Carrière was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs. Cut out faces that she used included Woodrow Wilson, King Ferdinand of Bulgaria, French president Raymond Poincaré and the actress Mona Delza. https://drive.google.com/file/d/1XI_lWChguCdGXwp7qEzW9MZ8-4-9Dz6F/view?usp=sharing
In the 1860s and 1870s, trance mediums were very popular. Spiritualism generally attracted female adherents, many who had strong interests in social justice. Many trance mediums delivered passionate speeches on abolitionism, temperance, and women's suffrage. Scholars have described Leonora Piper as one of the most famous trance mediums in the history of Spiritualism.
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.