The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread. The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair. https://drive.google.com/file/d/15C7azc9N5Rtx8lwGMfSsZVrEmzKBYKsG/view?usp=sharing
In 1988, the magician Bob Couttie criticized the paranormal author Brian Inglis for deliberately ignoring evidence of fraud in mediumship. Couttie wrote Inglis had not familiarized himself with magician techniques. In 1990 the researcher Gordon Stein discovered that the levitation photograph of the medium Carmine Mirabelli was fraudulent. The photograph was a trick as there were signs of chemical retouching under Mirabelli's feet. The retouching showed that Mirabelli was not levitating but was standing on a ladder which was erased from the photograph.
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In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The exposé was published in the 10 July 1960 issue of the Psychic Observer.:96–97
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The exposures of fraudulent activity led to a rapid decline in ectoplasm and materialization séances. Investigator Joe Nickell has written that modern self-proclaimed mediums like John Edward, Sylvia Browne, Rosemary Altea and James Van Praagh are avoiding the Victorian tradition of dark rooms, spirit handwriting and flying tambourines as these methods risk exposure. They instead use "mental mediumship" tactics like cold reading or gleaning information from sitters before hand (hot reading). Group readings also improve hits by making general statements with conviction, which will fit at least one person in the audience. Shows are carefully edited before airing to show only what appears to be hits and removing anything that does not reflect well on the medium. https://drive.google.com/file/d/1bnXtZd4Su7_JBfVRlbHdn0krhuy0ptNM/view?usp=sharing
^ Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 29. ISBN 978-0-87975-300-9 "Florence Cook was caught cheating not only before her séances with Crookes but also afterward. Furthermore, she learned her trade from the mediums Frank Herne and Charles Williams, who were notorious for their cheating." Also see M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p. 64. ISBN 978-1-57392-161-9 "The most famous of materialization mediums, Florence Cook – though she managed to convince a scientist, Sir William Crookes, that she was genuine – was repeatedly exposed in fraud. Florence had been trained in the arts of the séance by Frank Herne, a well-known physical medium whose materializations were grabbed on more than one occasion and found to be the medium himself."
In 1991, Wendy Grossman in the New Scientist criticized the parapsychologist Stephen E. Braude for ignoring evidence of fraud in mediumship. According to Grossman "[Braude] accuses sceptics of ignoring the evidence he believes is solid, but himself ignores evidence that does not suit him. If a medium was caught cheating on some occasions, he says, the rest of that medium's phenomena were still genuine." Grossman came to the conclusion that Braude did not do proper research on the subject and should study "the art of conjuring."
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