A series of mediumistic séances known as the Scole Experiment took place between 1993 and 1998 in the presence of the researchers David Fontana, Arthur Ellison and Montague Keen. This has produced photographs, audio recordings and physical objects which appeared in the dark séance room (known as apports). A criticism of the experiment was that it was flawed because it did not rule out the possibility of fraud. The skeptical investigator Brian Dunning wrote the Scole experiments fail in many ways. The séances were held in the basement of two of the mediums, only total darkness was allowed with no night vision apparatus as it might "frighten the spirits away". The box containing the film was not examined and could easily have been accessible to fraud. And finally, even though many years have passed, there has been no follow-up, no further research by any credible agency or published accounts. https://drive.google.com/file/d/1RI-NfCL7IeA8g5u5CG-LtcFl76Secb11/view?usp=sharing
In 1936, the psychical researcher Nandor Fodor tested the Hungarian apport medium Lajos Pap in London and during the séance a dead snake appeared. Pap was searched and was found to be wearing a device under his robe, where he had hidden the snake. A photograph taken at a séance in 1937 in London shows the medium Colin Evans "levitating" in mid air. He claimed that spirits had lifted him. Evans was later discovered to be a fraud as a cord leading from a device in his hand has indicated that it was himself who triggered the flash-photograph and that all he had done was jump from his chair into the air and pretend he had levitated.
^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot."
In 1954, the psychical researcher Rudolf Lambert published a report revealing details about a case of fraud that was covered up by many early members of the Institute Metapsychique International (IMI). Lambert who had studied Gustav Geley's files on the medium Eva Carrière discovered photographs depicting fraudulent ectoplasm taken by her companion Juliette Bisson. Various "materializations" were artificially attached to Eva's hair by wires. The discovery was never published by Geley. Eugéne Osty (the director of the institute) and members Jean Meyer, Albert von Schrenck-Notzing and Charles Richet all knew about the fraudulent photographs but were firm believers in mediumship phenomena so demanded the scandal be kept secret.
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From its earliest beginnings to contemporary times, mediumship practices have had many instances of fraud and trickery. Séances take place in darkness so the poor lighting conditions can become an easy opportunity for fraud. Physical mediumship that has been investigated by scientists has been discovered to be the result of deception and trickery. Ectoplasm, a supposed paranormal substance, was revealed to have been made from cheesecloth, butter, muslin, and cloth. Mediums would also stick cut-out faces from magazines and newspapers onto cloth or on other props and use plastic dolls in their séances to pretend to their audiences spirits were contacting them. Lewis Spence in his book An Encyclopaedia of Occultism (1960) wrote:
In the later half of the 20th century, Western mediumship developed in two different ways. One type involved clairaudience or sensitives who hear spirit, and then relay what they hear to their clients. The other incarnation of non-physical mediumship is a form of channeling in which the channeler goes into a trance, or "leaves their body", allowing a spirit entity to borrow their body, who then speaks through them. When in a trance the medium appears to come under the control of the spirit of a departed soul, sometimes entering into a cataleptic state, although modern channelers may not. Some channelers open the eyes when channeling, and remain able to walk and behave normally. The rhythm and the intonation of the voice may also change completely.
^ LeCron, Leslie; Bordeaux, Jean (1970). Hypnotism Today. Wilshire Book Co. p. 278. ISBN 0-87980-081-X. When in a trance ... the medium seems to come under the control of another personality, purportedly the spirit of a departed soul, and a genuine medium undoubtedly believes the 'control' to be a spirit entity ... In the trance, the medium often enters a cataleptic state marked by extreme rigidity. The control then takes over, the voice may change completely ... and the supposed spirit answers the questions of the sitter, telling of things 'on the other plane' and gives messages from those who have 'passed over.' https://drive.google.com/file/d/1jaiz1mTECKiiESpwX8al362NU5Rjk2JP/view?usp=sharing
In 1992, Richard Wiseman analyzed the Feilding report of Eusapia Palladino and argued that she employed a secret accomplice that could enter the room by a fake door panel positioned near the séance cabinet. Wiseman discovered this trick was already mentioned in a book from 1851, he also visited a carpenter and skilled magician who constructed a door within an hour with a false panel. The accomplice was suspected to be her second husband, who insisted on bringing Palladino to the hotel where the séances took place. Massimo Polidoro and Gian Marco Rinaldi also analyzed the Feilding report but came to the conclusion no secret accomplice was needed as Palladino during the 1908 Naples séances could have produced the phenomena by using her foot.
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