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The magician Julien Proskauer revealed that the levitating trumpet of Jack Webber was a trick. Close examination of photographs reveal Webber to be holding a telescopic reaching rod attached to the trumpet, and sitters in his séances only believed it to have levitated because the room was so dark they could not see the rod. Webber would cover the rod with crepe paper to disguise its real construction.[165]
In 1930 the Polish medium Stanisława P. was tested at the Institut Metapsychique in Paris. French psychical researcher Eugéne Osty suspected in the séance that Stanislawa had freed her hand from control. Secret flashlight photographs that were taken revealed that her hand was free and she had moved objects on the séance table.[149] It was claimed by spiritualists that during a series of séances in 1930 the medium Eileen J. Garrett channeled secret information from the spirit of the Lieutenant Herbert Carmichael Irwin who had died in the R101 crash a few days before the séance. Researcher Melvin Harris who studied the case wrote that the information described in Garrett's séances were "either commonplace, easily absorbed bits and pieces, or plain gobblede-gook. The so-called secret information just doesn't exist."[150]

Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife.[3] Other cave paintings in Indonesia date back a further 10,000 years.[4] Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility.[5][6] Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.[7]